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Writing About Place Through the Senses

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SOLD OUT
IN PROGRESS
Tuesdays, 4 Weeks
Nov 22
-
Dec 13
6:00 - 8:00 PM CST
INSTRUCTOR:
Adria Bernardi
LOCATION:
The Porch House at 2811 Dogwood Pl., Nashville, TN 37204
$
180
FOR MEMBERS
$
200
FOR non-MEMBERS
Cancellation & Refund Policy >

Are you aware of a space in your invented fictional world that remains too vague, whose details have been elusive, perhaps even a source of frustration because you can’t see further into it?

In this four-class workshop, writers are asked to identify a passage of no more than 1500 words in a work-in-progress that involves an interior or exterior place inhabited by a character or an agent such as the narrator.  

In our four classes, writers will focus on these topics and strategies:

Class 1 – Sketching to imagine place

Class 2 – Where is this space being perceived from?

Class 3 – How does a body move inside that space?

Class 4 – Non-visual ways of perceiving space: touch, hearing, taste, smell, proprioception–or the awareness of the body in its space, and spatial orientation and balance.

Each of these four topics will provide possibilities for re-seeing, re-considering and revising your selected passage four times over the course of the workshop, as well as to help focus group discussion and manuscript review during each of our four meetings.  

Use code EARLYBIRD at checkout for 20% off through August 18!

Adria Bernardi is a writer and translator whose publications include an oral history, a collection of literary essays, a collection of short stories, three novels, and eight translations from the Italian. Her novel, Benefit Street, was awarded the 2021 FC2 Catherine Doctorow Innovative Fiction Award and published by The University of Alabama Press in 2022.  Her work has been awarded the Bakeless Prize for Fiction, the Drue Heinz Literature Prize, and the Raiziss/DePalchi Translation Award.   She has taught fiction-writing at the Warren Wilson MFA Program for Writers.  She lives in Nashville.  You can find Adria at adriabernardi.com.

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