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"The first act of awe," philosopher Henryk Skolimowski said, "when man was struck with the beauty or wonder of Nature, was the first spiritual experience." Using Annie Dillard's short book Holy the Firm as an example, we'll talk about how to write the sacred and secular-sacred. We'll talk about venturing into the ecstatic and mystical, and why writing nature-as-sacred is an important act. I'll discuss techniques for doing it well - like avoiding righteousness, and creating contrast and texture. I'll offer tips for your creative practice, as well as reading suggestions. This is a generative workshop, so come prepared to write.
• In-Class Writing Lift: Medium
• Homework: None
• Workshopping Drafts: None
Megan’s visit is supported in part by a grant from the Amazon Literary Partnership.
Megan Mayhew-Bergman is an author, speaker, and teacher who writes about the natural world and remarkable women in a science & art-forward way - and likes to help others do the same. She is the author of three books, Birds of a Lesser Paradise, Almost Famous Women, and How Strange a Season, which Scribner published in March 2022. How Strange a Season was featured as a New York Times Editor’s Choice and in the New Yorker’s Best Books of 2022 list, and was longlisted for the 2023 Joyce Carol Oates Fiction Prize, The Story Prize, and the Mark Twain American Voice in Literature Award. She is currently writing a book on the International Sweethearts of Rhythm, also with Scribner.
Megan is a journalist, essayist, and critic. She has written columns on climate change and the natural world for The Guardian and The Paris Review. Her work has been featured in The New York Times, The New Yorker, The Atlantic, Harper’s Bazaar, and elsewhere. Her short fiction has appeared in Best American Short Stories 2011 and 2015, and on NPR’s Selected Shorts. She was awarded the Garrett Award for Fiction and the Phil Reed Environmental Writing Award for Journalism, and fellowships at the Bread Loaf Writers’ Conference and the American Library in Paris. She serves on the Thoreau Prize Committee, the board of Hildene, and the Vermont office of the Conservation Law Foundation. She serves as Director of Middlebury College’s Creative Writing Program and the Bread Loaf Environmental Writers’ Conference.
Megan co-produced a documentary on the mountain biker Lea Davison and is producing a new documentary on conservationist Sandy West. Her photography has been published in The Guardian, Wall Street Journal, Audubon, and Southern Cultures. She founded Open Field, a non-profit geared toward increasing the accessibility of environmental storytelling and advocacy skills, and co-founded GreenStory, an environmental narrative consulting firm.
Megan is new to The Porch. Welcome!